–å”ą,  ƒIƒuƒWƒF,  ’b“S‘¢Œ`

 

ŠēƒA[ƒgA“ŗµĢŽ¼ŽŖ,ƒ‰ƒ“ƒv,“SƒA[ƒgA“SƒIƒuƒWƒFA

 

 

ƒAƒgƒŠƒG‚É‚Ä

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‘‹@Ši@Žq

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ƒŠƒgƒ‚Eƒfƒ‹EƒtƒFƒbƒ F“S‚ĢƒŠƒYƒ€i‚m‚‚P`‚m‚ ‚Xj

 

 

 

‚‚³

‚Q‚‚S‚O‚ƒ‚

•

‚S‚O‚ƒ‚`‚P‚‚P‚O‚ƒ‚

d‚³

‚W‚O‚‹‚‡`‚P‚T‚O‚‹‚‡

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“S‚ĢƒŠƒYƒ€E•”•Ŗ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“S‚ĢƒŠƒYƒ€E•”•Ŗ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                          

 

 

 

 

 

ƒŠƒgƒ‚Eƒfƒ‹EƒtƒFƒbƒ§ģ•—Œi

Ždć‚°EF•t‚Æ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ŠŌ@Žd@Ų@‚č

’b“S‘¢Œ`

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ƒtƒ@ƒ~ƒŠƒAEƒWƒFƒjƒg[ƒŠF—¼e

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ƒtƒ@ƒ~ƒŠƒAEƒ\ƒŒƒbƒ‰FŽo

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                  ’b@“S@‘¢@Œ`

 

 

‰‚ß‚Ķ ƒWƒ…ƒGƒŠ-‚š–ŚŽw‚µ‚Ü‚·‚Ŗ Ž©‚ē‚š•\Œ»‚·‚é‘ĪŪ‚Ę‚µ‚Ä‚Ģ ŒĄŠE‚šŠ“‚¶A

X‚ɍ¢“ļ‚Č‚ą‚ĢŽ©‚ē‚š•\Œ»‚µ“¾‚éŽč’i‚š‹‚߁@ƒCƒ^ƒŠƒA‚ÉŒü‚©‚¢‚Ü‚·B

 

 

 

 

ƒCƒ^ƒŠƒA‚Å “±‚©‚ź‚é‚ꂤ‚ɏo‰ļ‚Į‚½@ƒCƒ‹EƒtƒFƒEƒoƒbƒgƒDƒg(’b“S‘¢Œ`)B

’b‚¦‚ē‚ź‚½“S ’@‚©‚ź‚½“S

’¬’†‚Ē‚±‚É‚Å‚ą‚ ‚é‘‹ŠiŽq‚ā‰½•S”N‚ą¶‚«‘±‚Æ‚é–å”ą‚ɏo‰ļ‚¢‚Ü‚·B

ŽK‚ŖZH‚µ‚Ä “S‚É’źŒõ‚芓‚Ŗ‚ ‚čAŽč‚ŐG‚Į‚½Š“G‚Ŗ‘f°‚ē‚µ‚¢B

‘@×‚ČŠ“‚¶‚Č‚Ģ‚É d—ŹŠ“‚Ŗ‚ ‚č ƒŠƒYƒ€Š“‚Ŗ‚ ‚éB

“ś–{‚Ģ ’’•Ø‚Ģ–å”ą‚ā‘¢Œ`•Ø‚Ę‚Ķ ‘S‚­ˆį‚¤A@

¶‚«‚Ä‚¢‚é“S‚Ę‚¢‚¤‚ę‚č@¶‚©‚³‚ź‚Ä‚¢‚é“S‚É –£—¹‚³‚ź‚čs‚«‚Ü‚·B

 

 

 

 

ƒCƒ^ƒŠƒA‚Ģ “ģ‚Ģ“‡ƒpƒŒƒ‹ƒ‚‚©‚ēƒ[ƒ}‚É“n‚čAƒtƒBƒŒƒ“ƒcƒF‚Ö‚ĘŒü‚©‚¢@ƒxƒjƒX‚ɈŚ‚čZ‚Ż‚Ü‚·B@@@

‚»‚±‚Å’¤‰Ę @ƒgƒj[Eƒxƒlƒgƒ“‚ɏo‰ļ‚¢

“S‚šÅ‚ą¶‚©‚·’b“S‘¢Œ`‚šŠw‚Ń‚Ü‚·B@@@

Žč‚Å‚Ā‚­‚鎖‚Ŗ‘厖@ ŽžŠŌ‚š‚š‚«‚æ‚ń‚Ę‚©‚Ƃ邱‚Ę‚Ŗ‘厖B

Žč‚š”²‚©‚Č‚¢‚±‚Ę‚Ŗ‘厖  “S‚š¶‚©‚µ‚Ä‚ ‚°‚鎖‚Ŗ‘厖B@@@

ŠęŒÅ‚ČŽč–@‚ĘŠęŒÅ‚ČˆÓŽu‚ŁA@

‰½•S”N@‰½ē”N ‚ʐ¶‚«‘±‚Æ‚é“S‚Ɂ@–½‚š‚«ž‚ŽŽpB@

ƒCƒ^ƒŠƒAl‚Ģ ‹Zp‚Ę“`“‚šd‚ń‚¶‚éSB @

‰Ę‘°eŹ‚É‘Ī‚·‚é[‚¢ˆ¤īB@@

—z‹C‚Ł@–ˆ“ś‚šŠy‚µ‚­¶‚«‚鎖‚š@Å‚ą‘åŲ‚É‚·‚éllXB@@

‚׃lƒgƒ“ę¶‚ā ƒCƒ^ƒŠƒA‚ĢlX‚É ‘½‚­‚ĢŽ–‚šŠw‚ń‚Å ‹A‘‚µ‚Ü‚·B

 

 

 

 

‹A‘Œć ‚·‚®‚É “¹‹ļģ‚č‚ĘŽK‚³‚¹‚é“SŽ‚ĢŽdž‚Ż‚ÉŽę‚čŠ|‚©‚č‚Ü‚·B

ŽK‚Ń‚³‚¹‚½“S‘fŽ‚š—p‚¢@ –Ų‚ĢŽĄ‚ā‘‰Ō‚š¼—m“I‚É‚Ę‚ē‚¦‚½ ŒĆ“T“I‚Č–å”ą‚ā

‘‹ŠiŽqA@\¬‚ā‰Ę‘°A@ ‹y‚ѐl‚ĢŠē‚šŽå‘č‚Ę‚µ‚½ƒIƒuƒWƒF “™‚š§ģ‚µ‚Ü‚·B

 

 

 

 

 

@@        cc ’b@“S@‘¢@Œ` cc

 

 

ƒR-ƒNƒX˜F‚Å “S‚š @Ō‚­‚Č‚Į‚Ä—n‚Æ‚éˆź•ąŽč‘O‚Ü‚Å”M‚µ‚Ü‚·B

Ō‚¢—n‚Æ‚»‚¤‚Č“S‚š ƒnƒ“ƒ}-‚Å’@‚¢‚½‚č’ׂµ‚½‚čA

ƒ^ƒKƒl‚ŐŲ‚Į‚½‚肵‚Č‚Ŗ‚ē§ģ‚µ‚Ü‚·B

 

 

 

 

 

 

 

                                                                   ’b@“S@‘¢@Œ`

 

 

                                                                            ‚@ąV@³@s

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                Forging@Iron@Formative@Art

 

 

I started my career as a jeweler, but I knew that jewels were not good enough

for me to express my own. I, then, went to Italy in order to find some objects

which are more difficult to be expressed, and some way to express my own.

 

 

 

 

In Italy, I came across the forging Iron@formative art as if I had been guided

by something.

 

 

 

 

I saw well-forged Iron@things, Iron lattices and some hundred-years-old door

gates everywhere in any towns

The Iron products were corroded by rust and had quite inner glow and felt good.

They looked so delicate, so heavy and rhythmical.

They were much different from Japanese cast things like doors.

They did not live but were given life by men, which impression began to attract me.

 

 

 

 

I went to the Palermo island in the south part of Italy, and then went to Rome,

Firenze and Venice. In Venice I began to make a living.

I, then, got to know a sculptor, Toni Benetton, and learned from him the forging

Iron@formative art with which we could make the most of@Iron.

Works of the forging Iron@formative art must be handmade ones, and when

making the works, it is most important to spend time, pay attention to, and

make the most of Iron@With unchanging techniques and strong will, Italian have

given life to Iron things living for some hundred or some thousand years.

Italian have had hearts to put a high value to their techniques and tradition,

given life to Iron things living for some hundred or some thousand years.and to

love their families.

They all thought it most important to live happily and pleasantly every day.

I had learned many things from Toni Benetton and other Italian friends, and

came back to Japan.

 

 

 

 

After having come back to Japan, I immediately began to make tools for new

works and was after some Iron things to be rusty.

I made rusty Iron into some works. Some were classical doors and lattices

designed on the model of nuts and plants in west European style. The others are

objects with themes of organizations, families and human faces.

 

 

 

 

 

 

 

           Forging@Iron@Formative@Art

 

 

 

I get Iron heated enough to be about to be melted in a forge with cokes.

I, then, forge and cut the melting iron into objects with a hammer and a graver.

 

 

 

 

 

                                                                    Forging@Iron@Formative@Art

 

 

                                                                    Masayuki@Takazawa

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‚f‚`‚r‚s‚n‚m‚dEƒKƒXƒg[ƒl

i•ŗ–š‚š‚Ģ‚Ŗ‚ź‚½Ā”Nj

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‚d‚k‚d‚m‚`EƒGƒŒƒi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‚t‚m|‚f‚`@ƒEƒ‹@ƒ‰[ƒŒE‹©‚Ō

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‚s‚n|‚g‚nEƒEƒ“@ƒtƒBƒAƒbƒg@ˆź‘§

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

§ ģ •— Œi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Œx@ Œx@

ƒfƒUƒCƒ“EŽŹ^E•¶ĶE‹y‚ѐ§ģ“™‚Ģ’˜ģŒ ‚ĶA‘S‚č‚ąV³sE‘¼1–¼‚Ŗ•Ū—L‚µ‚Ü‚·D

‘S‚Ä‚Ģ“ą—e‚É‚Ā‚¢‚āAˆźŲ‚Ģ–³’f•”»E“]ŚE‰ü•ĻE•ś‘—“™‚š‹Ö‚¶‚Ü‚·D

 

 

 

 

 

 

ADMONISHMENTADMONISHMENT

Any@reproductionCduplicationCor@distribution@in@any@form@‚‰‚“

‚…xpressly@prohibitedD

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

–ŚŽŸEEEƒŠƒ“ƒN

 @ TOPƒy[ƒWE‚²ŠĻ——‰ŗ‚³‚¢@@@

’b“S‘¢Œ`FŠēEŠēEŠē‚Ö “üź

–å”ąEƒIƒuƒWƒFF’b“S‘¢Œ`‚Ö “üź

”ąE‘‹ŠiŽqEƒxƒlƒcƒBƒA•—ƒfƒUƒCƒ“‚Ö “üź

‚ąV³sģ•iWi“ŗEŠŪü’¤j‚Ö “üź

‚æ‚Ī‚¬‚ńƒMƒƒƒ‰ƒŠ[ŒĀ“W‚Ö “üź

w˜axEEs“”E“•‰ĪŠķ‚Ö “üź

*              ‚ąV³s@wŒo—šE§ģ—š‚Ö x“üź   

B'z face, B'z face‚Ö “üź

Œµ‘IƒŠƒ“ƒNW 

 

 

 

‘¼€–ŚEƒŠƒ“ƒN

 

KazanE‰½Žc[ƒyƒCƒ“ƒgƒA[ƒg‚Ö Go

‰ä‚Ŗ‰Ę‚Ģ”ŌŒ¢E–˜Ci‚Ü‚ėj‚Ö Go

—ĒŠ°“¹@‘fl•Ņ‚P ‚ÖGo

   ­”NūčE‰½Žc[–ü‚µ‚ĢC‘ä‚Ö Go

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‚Ø–ā‚¢‡‚ķ‚¹‚ĶAˆČ‰ŗ‚Ģƒ[ƒ‹‚ցD

 

 

 

 

 

 

 

 

’bŽ”‰®Eƒ^ƒJƒUƒ

 



 

ģ•i‚Ģ‚Ø–ā‚¢‡‚ķ‚¹‚ĶA‚±‚æ‚ē‚Ģƒ[ƒ‹‚ց„ ta-ka-za-wa@japan.email.ne.jp