Welcome to "MC202 Fan"Semi-translated into English by antman.Thanx! |
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Copyright Roland Co.,Ltd. Authored by Ra-Hi from Japan.
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Sampling the 202 and altering its sound by playing it.
percussively or backwards sounds great, and adds a lot of mileage to the sound. When you vary the tempo you can get more interesting slide effects than you normally would.There are more than four positions on the VCO-Range switch.
This is a very simple but effective tip. While you are sequencing, you can change the switch and actually modulate to different keys on the fly. Just move the switch very slowly between the fixed positions. If you use this method effectively, you can make this box sound meaner than Jimi Hendrix!Synchronizing the 202 without DIN SYNC:
This tip is great if you don't have a MIDI to DIN Sync box, and can be used with many sequencers. Bearing in mind that the 202 will allow you to sync to tape (FSK Sync), you can generally use the FSK sync out of any MIDI (or non-MIDI)/sequencer box and plug it into the TAPE SYNC-IN on the 202. When you start the external sequencer, the 202 will lock to it as if it were locking to a tape. You may have to experiment with different machines, but it seems to work beautifully with the Akai MPC-60. Tell me/us what you've found.
LFO | VCO | Souce Mixer | ||||||||
Para. | rate | delay | MOD | Renge | PulseW | *** | ¢ | SubOSC | *** | DATA | 0 | 0 | 0 | [16'] | 0 | [LFO] | 10 | 0 | 10 | 2 | VCF | VCA | ENV | Para. | Freq | Res | Env | Mod | Kybd | *** | A | D | S | R | DATA | 5 | 6 | 5 | 0 | 0 | [gate] | 1 | 4 | 0 | 0 |
LFO | VCO | Souce Mixer | ||||||||
Para. | rate | delay | MOD | Renge | PulseW | *** | ¢ | SubOSC | *** | DATA | 0 | 0 | 0 | [16'] | 0 | [LFO] | 0 | 0 | 0 | 1 | VCF | VCA | ENV | Para. | Freq | Res | Env | Mod | Kybd | *** | A | D | S | R | DATA | 4 | 10 | 5 | 0 | 0 | [gate] | 0 | 2 | 0 | 0 |