| 1�^3 | ‰pŽš�V•·‚̓ǂݕû | ‰Á“¡‹±Žq | �› | 1 |
| 1�^7 | Ž„‚̃pƒ\ƒRƒ“ƒVƒXƒeƒ€ �\ MS-DOSƒVƒXƒeƒ€�\’z�p �\ | �› | 2 | |
| 1�^9 | La source grecque �@ƒMƒŠƒVƒA‚Ì�ò | Simone Weil �@ƒVƒ‚�[ƒk�Eƒ”ƒF�[ƒ† | �› | 3 |
| 1�^11 | Le sommeil et le reve �@�‡–°‚Æ–² •¶ŒÉƒNƒZƒWƒ… 701 | Charles Kayser �@ƒVƒƒƒ‹ƒ‹�EƒPƒ[�[ƒ‹ | �› | 4 |
| 1�^18 | The Mathematical Tourist (Œ´�‘) | Ivars Peterson | �� | 5 |
| 1�^26 | Lebensformen im Mittelalter �@’†�¢‚Ì�J‚É‚Ä�m�ã�nŠÂ‹«�E‹¤“¯‘Ì�E�¶ŠˆŒ`Ž® | Arno Borst �@ƒAƒ‹ƒm�Eƒ{ƒ‹ƒXƒg | �� | 6 |
| 1�^30 | ƒ�ƒVƒA�¸�_‚ÌŒ¹ ‚æ‚Ý‚ª‚¦‚é�u�¹‚È‚éƒ�ƒVƒA�v | �‚‹´•Û�s | �› | 7 |
| 2�^9 | ‹ðŽÒ‚Ì’mŒb�@•½–}ŽÐ ƒqƒXƒgƒŠ�[ ‚V | �� | 8 | |
| 2�^10 | Paracelsus Natur und Offnbarung �@ƒpƒ‰ƒPƒ‹ƒXƒX Ž©‘R‚ÆŒ[ަ | Von Kurt Goldammer �@‚j�DƒSƒ‹ƒgƒAƒ“ƒ}�[ | �› | 9 |
| 2�^11 | ‚k‚‰‚“‚�ƒvƒ�ƒOƒ‰ƒ~ƒ“ƒO“ü–å | �¬�ì‹M‰p | �› | 10 |
| 2�^21 | ‘æ‚T‚Ì—Í •¨—�’T‹†‚Ì�Å‘O�ü | ‘å’΋`•F | �› | 11 |
| 2�^27 | �i•à‚Æƒ†�[ƒgƒsƒA�@•½–}ŽÐ ƒqƒXƒgƒŠ�[ 14 | �› | 12 | |
| 3�^3 | �wƒ^ƒCƒ€�xƒ{ƒLƒƒƒuƒ‰ƒŠ�[‚P‚O‚O‚Oƒ��[ƒh | �X“c�Ÿ”V •Ò | �› | 13 |
| 3�^9 | �¼—mŒêŒ¹—Ž�‘’Ÿ | ‘Š”n —² | �› | 14 |
| 3�^10 | “ü–å‚h‚a‚l�|‚o‚b | ŠâŒË“ì–k ‹¤’˜ | �� | 15 |
| 3�^18 | �¹‚È‚éƒ�ƒVƒA‚ð‹�‚ß‚Ä ‹Œ‹³“k‚̃†�[ƒgƒsƒA“`�à | ’†‘ºŠì˜a | �› | 16 |
| 3�^22 | L'ame enchantee �@–£‚¹‚ç‚ꂽ‚é�° II | Romain Rolland �@ƒ�ƒ}ƒ“�Eƒ��[ƒ‰ƒ“ | �› | 17 |
| 3�^23 | ‘±�¼—mŒêŒ¹—Ž�‘’Ÿ | ‘Š”n —² | �› | 18 |
| 3�^25 | Dayan, La umbra unui crin �@ƒ_ƒ„ƒ“ ‚ä‚è‚̉Ԉü‚É | Mircea Eliade �@ƒ~ƒ‹ƒ`ƒƒ�EƒGƒŠƒA�[ƒf | �› | 19 |
| 4�^14 | The Satanic Verses �@ˆ«–‚‚ÌŽ� �ã | Salman Rushdie �@ƒTƒ‹ƒ}ƒ“�Eƒ‰ƒVƒ…ƒfƒB | �› | 20 |
| 4�^18 | �\‘¢Žå‹`‰ÈŠw˜_‚Ì–`Œ¯ | ’r“c�´•F | �� | 21 |
| 4�^21 | L'ame enchantee �@–£‚¹‚ç‚ꂽ‚é�° III | Romain Rolland �@ƒ�ƒ}ƒ“�Eƒ��[ƒ‰ƒ“ | �� | 22 |
| 4�^24 | Le con d'Irene �@ƒCƒŒ�[ƒk | Louis Aragon �@ƒ‹ƒC�EƒAƒ‰ƒSƒ“ | �› | 23 |
| 5�^1 | Les Paradis artificiels �@�l�HŠy‰€ | Charles Baudelaire �@ƒ{�[ƒhƒŒ�[ƒ‹ | �› | 24 |
| 5�^1 | Nadja �@ƒiƒWƒƒ | Andre Breton �@ƒAƒ“ƒhƒŒ�Eƒuƒ‹ƒgƒ“ | �› | 25 |
| 5�^3 | ‚t‚m‚h‚wƒvƒŒƒCƒ“ƒOƒ}ƒjƒ…ƒAƒ‹ | –Ø‘º Œ’ | �› | 26 |
| 5�^11 | L'Heresiarque et Cie �@ˆÙ’[‹³‘cДޮ‰ïŽÐ | Guillaume Apollinaire �@ƒMƒˆ�[ƒ€�EƒAƒ|ƒŠƒl�[ƒ‹ | �� | 27 |
| 5�^15 | Il nome della Rosa �@åKåN‚Ì–¼‘O �ã | Umberto Eco �@ƒEƒ“ƒxƒ‹ƒg�EƒG�[ƒR | �� | 28 |
| 5�^17 | Heliogabale ou l'Anarchiste couroune �@ƒwƒŠƒIƒKƒoƒ‹ƒX ‚Ü‚½‚͑Պ¥‚¹‚éƒAƒi�[ƒLƒXƒg | Antonin Artaud �@ƒAƒ“ƒgƒiƒ“�EƒAƒ‹ƒg�[ | �› | 29 |
| 5�^24 | Ritter Burgen und Turniere �@’†�¢‚Ö‚Ì—· ‹RŽm‚Æ�é | Heinrich Pleticha �@ƒnƒCƒ“ƒŠƒq�EƒvƒŒƒeƒBƒqƒƒ | �› | 30 |
| 6�^2 | L'araignee d'eau �@�…’wå� | Marcel Bealu �@ƒ}ƒ‹ƒZƒ‹�EƒxƒAƒŠƒ… | �› | 31 |
| 6�^2 | To acknowledge the wonder �@‘f—±Žq‚ƉF’ˆ‚Ì�V�¢ŠE | Euan Squires �@�¬�À’Ê“ñ�A‰ª —²Œõ ‹¤–ó | �› | 32 |
| 6�^12 | Il nome della Rosa �@åKåN‚Ì–¼‘O ‰º | Umberto Eco �@ƒEƒ“ƒxƒ‹ƒg�EƒG�[ƒR | �� | 33 |
| 6�^17 | Doskona a Proznia �@Š®‘S‚È�^‹ó | Stanisław Lem �@ƒŒƒ€ | �� | 34 |
| 6�^21 | Superstrings A theory of Everything ? �@ƒX�[ƒp�[ƒXƒgƒŠƒ“ƒO ’´‚Ђà—�˜_‚Ì�¢ŠE | P.C.W. Davies and Julian Brown �@�oŒû�CŽŠ –ó | �� | 35 |
| 6�^22 | Star Prince Charlie �@‚ª‚ñ‚΂êƒ`ƒƒ�[ƒŠ�[ | ƒAƒ“ƒ_�[ƒ\ƒ“�•ƒfƒBƒNƒXƒ“ | �� | 36 |
| 6�^23 | ‹ß‘ãŠG‰æŽj�i�ã�j | �‚ŠK�GŽ¢ | �› | 37 |
| 6�^23 | ’†�¢‚Ì�J‚É‚Ä�m‰º�n | ƒAƒ‹ƒm�Eƒ{ƒ‹ƒXƒg | �› | 38 |
| 6�^24 | ƒOƒ��[ƒCƒ“ƒO�Eƒ_ƒEƒ“ | �´�…‹`”Í | �� | 39 |
| 6�^26 | ‹ß‘ãŠG‰æŽj�i‰º�j | �‚ŠK�GŽ¢ | �› | 40 |
| 6�^28 | Graziella �@Žá‚«“ú‚Ì–²�\ƒOƒ‰ƒcƒBƒGƒbƒ‰ | ƒ‰ƒ}ƒ‹ƒ`�[ƒk | �� | 41 |
| 7�^7 | Miti Emblemi Spir �@�_˜b�E‹õˆÓ�E’¥Œó | Carlo Ginzburg �@ƒJƒ‹ƒ��EƒMƒ“ƒYƒuƒ‹ƒO | �� | 42 |
| 8�^15 | The private papers of Henry Ryecroft �@ƒwƒ“ƒŠ�Eƒ‰ƒCƒNƒ�ƒtƒg‚ÌŽ„‹L | George Robert Gissing �@ƒMƒbƒVƒ“ƒO | �� | 43 |
| 8�^18 | ˆ¤‚Í”š” | –¦ ŒZŒå | �› | 44 |
| 8�^24 | ‰F’ˆ˜_‘SŽj | •½–}ŽÐ ƒqƒXƒgƒŠ�[ ‚U | �� | 45 |
| 8�^31 | Contemporary American short stories (Œ´�‘) | by Burton Raffel | �› | 46 |
| 9�^6 | –³ŒÀ‚Æ’´‰z | •½–}ŽÐ ƒqƒXƒgƒŠ�[ 30 | �� | 47 |
| 9�^11 | ƒCƒRƒmƒQƒlƒVƒX�\ƒCƒ��[ƒW‚©‚çƒCƒRƒ“‚Ö | •½–}ŽÐ ƒqƒXƒgƒŠ�[ 22 | �� | 48 |
| 9�^14 | Star Maker �@ƒXƒ^�[ƒ�ƒCƒJ�[ | William Olaf Stapledon �@ƒIƒ‰ƒt�EƒXƒe�[ƒvƒ‹ƒhƒ“ | �� | 49 |
| 9�^21 | �_‚ÌŠÏ”OŽj | •½–}ŽÐ ƒqƒXƒgƒŠ�[ 12 | �� | 50 |
| 9�^22 | ‰pŒêƒCƒ��[ƒWŽ«“T | �Ô‘c•ƒ “N“ñ •Ò | �› | 51 |
| 9�^28 | The Recursive Universe �@ƒ‰ƒCƒtƒQƒCƒ€‚̉F’ˆ | William Poundstone �@ƒEƒBƒŠƒAƒ€�EƒpƒEƒ“ƒhƒXƒg�[ƒ“ | �� | 52 |
| 9�^29 | ƒRƒ“ƒsƒ…�[ƒ^�«Šû | �¬’J ‘P�s ‘¼ | �› | 53 |
| 9�^30 | ’Z•Ñ�¬�à�u‹` | “›ˆä �N—² | �� | 54 |
| 10�^3 | �¢‹I––ƒLƒbƒY‚Ì‚½‚߂̂r‚eƒ�ƒ“ƒ_�[ƒ‰ƒ“ƒh | •Ê�û•ó“‡ ‚V‚X | �› | 55 |
| 10�^10 | ’m‚Ì•ªŒõŠw | •½–}ŽÐ ƒqƒXƒgƒŠ�[ 19 | �� | 56 |
| 10�^15 | •¶Šw�ì•i‚ÅŠw‚Ô�¢ŠEŽj | Ž›‘ò �¸“N •Ò | �› | 57 |
| 10�^15 | ”ü�pŽj‚Æ”ü�p—�˜_ | —F•” ’¼ | �› | 58 |
| 10�^20 | �_˜b‚ÌŒn•ˆŠw | •½–}ŽÐ ƒqƒXƒgƒŠ�[ 13 | �� | 59 |
| 10�^26 | ƒ{ƒNƒ‰��‘–¯ | ŽR’† �P | �¦ | 60 |
| 10�^27 | Žq‚Ç‚à‚½‚¿‚Ì‘¾•½—m�푈 �\ �‘–¯Šw�Z‚ÌŽž‘ã �\ | ŽR’† �P | �� | 61 |
| 10�^27 | •é‚炵‚Ì’†‚Ì‘¾•½—m�푈 �\—~ƒVƒKƒŠƒ}ƒZƒ“�Ÿƒcƒ}ƒfƒn�\ | ŽR’† �P | �¦ | 62 |
| 11�^3 | Œ¾Œê‚ÌŽv‘zŒ— | •½–}ŽÐ ƒqƒXƒgƒŠ�[ 10 | �� | 63 |
| 11�^3 | ƒtƒ‰ƒ“ƒXŽl‹G—ï �H‚©‚ç“~‚Ö | ‹À’ë �F’j | �› | 64 |
| 11�^10 | Le juif errant �@‚³‚܂悦‚郆ƒ_ƒ„�l�i�ã�j | Eugene Sue �@ƒE�[ƒWƒF�[ƒk�EƒVƒ…�[ | �› | 65 |
| 11�^11 | ‚³‚܂悦‚郆ƒ_ƒ„�l�i‰º�j | ƒE�[ƒWƒF�[ƒk�EƒVƒ…�[ | �› | 66 |
| 11�^28 | Prince Caspian �@ƒJƒXƒsƒAƒ“‰¤Žq‚̂‚̂Ԃ¦ | C.S.Lewis �@‚b�D‚r�Dƒ‹ƒCƒX | �› | 67 |
| 12�^1 | ˆ«–‚‚ÌŽ��i‰º�j | ƒTƒ‹ƒ}ƒ“�Eƒ‰ƒVƒ…ƒfƒB | �› | 68 |
| 12�^2 | The voyage of the dawn treader �@’©‚т炫ŠÛ “Œ‚ÌŠC‚Ö | C.S.Lewis �@‚b�D‚r�Dƒ‹ƒCƒX | �› | 69 |
| 12�^5 | The silver chair �@‹â‚Ì‚¢‚· | C.S.Lewis �@‚b�D‚r�Dƒ‹ƒCƒX | �› | 70 |
| 12�^6 | The last battle �@‚³‚¢‚²‚Ì�í‚¢ | C.S.Lewis �@‚b�D‚r�Dƒ‹ƒCƒX | �› | 71 |
| 12�^21 | �¼‰¢‚Ì�ÕŒ‚‚Æ“ú–{ | •½�ì —T�O | �� | 72 |
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